Postings mit Schlagwort "Art" (6)

 CfP: After the Fall, Behind the Wall  

posted by Katalin Teller 6 years ago

The Northeast Modern Language Association (NeMLA) invites papers for the panel After the Fall, Behind the Wall - East European Representations of the German-speaking West organized in the framework of the 2012 convention on March 15-18, 2012 in Rochester, New York. Deadline for submissions: September 30, 2011.

 Thinking Art 

posted by ush 7 years ago
IFK_CONFERENCE
Thinking Art. Figurations of Aesthetic Knowledge
7 May 2010, 1.15 p.m. – 6.30 p.m. at the IFK, 1010 Vienna, Reichsratsstraße 17 (free entrance, conference language is english)
Detailed program and abstracts under http://www.ifk.ac.at/calendar.php?e=414

Conception:
Eva Kernbauer (Institute of Art History, University of Bern), Julia Gelshorn (Institute of Art History, University of Vienna)
Participants:
Tom Holert (Academy of Fine Arts Vienna), Irit Rogoff (Goldsmiths College, University of London), Richard Shiff (Department of Art and Art History, University of Texas at Austin), Barbara Wittmann (Max Planck Institute for the History of Science, Berlin)

 Vortrag: Alois Riegl 

posted by ush 7 years ago
IFK_Vortrag: Adi Efal: Distancing the Past: Alois Riegl’s Realist History

10 May 2010, 6.15 p.m. at the IFK (free entrance, lecture in english)

Adi Efal teaches at Tel Aviv University, the Bezalel Academy of Art, and Beit-Berl College. She had research post-doctoral residencies at the École Normale Supérieure in Paris and the Rosenzweig Center for German-Jewish Culture at the Hebrew University of Jerusalem. She is an IFK Research_Fellow.

Selected publications: Panofsky’s Idea and Auerbach’s Figura: Two Iconodulist Philological Experiments, in: The Protocols of the History and Theory Department of the Bezalel Academy, 14, October 2009; Iconology and Iconicity. Towards an Iconic History of Figures, between Erwin Panofsky and Jean-Luc Marion, in: Naharaim. Zeitschrift für deutsch-jüdische Literatur und Kulturgeschichte, I/2/III, 2008; Habitude against itself: Redefining the 'Symbol' in Turn-of-the-Century French Visual Symbolist Discourse, in: Æ. Canadian Aesthetics Journal, 13, Summer 2007.

 Balkan Studies 9 

posted by ush 8 years ago

Now follows the abstract (cf. Balkan Studies 1, 2, 3, 4, 5, 6, 7, 8) of Tatjana Marković (Graz/Belgrade): Balkan Studies and Music Historiography. (Self-)Representation between Nationalist Myths and Europeanisation

Balkan Studies in music historiography are mainly determined by conservative understanding that Balkan culture is still of predominantly peasant character. Consequently, presentation of the Balkan music/s is based much more on insight in traditional than in art music, esp. contemporary, or popular music and, as such, it is present in the framework of positivistic ethnomusicological writings, in the first place. Recent musicological contributions to Balkan Studies (meaning studies of Balkan, West Balkan, southeast European music) show a new, growing interest in the field, signified by two main policies: on the one hand, there are writings of the guardians of nationalist myths, who construct the concept of music history in accordance with their frozen (medieval) exclusive image of national identity and, on the other, writings of the pro-European orientated scholars, who stress the Balkans’ close connections to Western Europe. The intermingling and separation of these two approaches, their different ideological and methodological outcomes, as well as possible ways of future research, will be discussed.

 Balkan Studies 5 

posted by ush 8 years ago

Here follows the abstract (cf. Balkan Studies 1, 2, 3, 4) of Maximilian Hartmuth (Istanbul): Image-ing Balkans History: Non-Creative Others, Attention Deficits, and Art as a Problem

There are some fields in the humanities and social sciences, such as Nationalism Studies, in which the Balkans are very present, and others, such as art history and related disciplines, in which they are practically invisible. My paper is to question the impact of this condition on perceptions of the Balkans and Balkan-ness beyond the academia. Are the established interests of Balkan Studies really maintaining the image of the Balkans as an essentially conflictuous, non-creative space?

 A/SI-Achse 

posted by ush 9 years ago
Das Kunsthaus Graz, in Kooperation mit der Umetnostna galerija Maribor und dem Haus der Architektur Graz, beginnt in wenigen Tagen eine Veranstaltungsreihe, welche die Region Maribor/Gradec // Marburg/Graz thematisiert:

 

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