Thursday, 13 April 2006 - Session III/A (Chair: Philippe Vendrix, Centre d'Études Supérieures de la Renaissance de l'Université de Tours), Zadužbina Ilije M. Kolarca

• 10.00-11.30: Bianca Robichaud, Conservatoire de Musique Francis Poulenc, Paris: French Classicism: Myth or Reality?
  Miško Šuvaković, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Remembering Music: Critical Questions on New, Historicism and History of Music
  Amy Lynn Wlodarski, Dickinson College: National Identity After National Socialism: “Jüdische Chronik” and East German Cultural Memory
• 11.30-12.00: coffee break
• 12.00-13.00: Danijela Kulezic-Wilson, Co.Leitrim: Ideology as a Filter for Memory: The “Imperialism” of Music, Transcedence, and Stylistic Labelling
  Ksenija Stevanović, Radio-Beograd, Treći program, Beograd: The Architecture of (Sonic) Memory in Sokurov's Films

Thursday, 13 April 2006 - Session III/B (Chair: Stephen Blum, The Graduate Center, CUNY, New York), Zadužbina Ilije M. Kolarca

• 10.00-11.30: Birgit Abels, Ruhr University Bochum: Encoded Past: On Redefining and Recontextualizing Musical Tradition
  Panayiotis Demopoulos, University of York: The Delusional State of Global Folklore
  Jelena Jovanović, Srpska akademija nauka i umetnosti, Muzikološki institut, Beograd: Searching the Right Form: From a Song “na bas” to “traveler's” Playing: Recalling Performance of dvojnice Player Miladin Arsenijević
• 11.30-12.00: coffee break
• 12.00-13.30: F. Merve Eken, Istanbul Technical University, Turkish Music State Conservatory: Tradition, Society, And Change: ‘Fasıl' in Turkish Music
  Berna Özbilen, Istanbul Technical University, Turkish Music State Conservatory,: The Evaluation of First Ottoman-Turkish Popular Music Kanto, Its Development Process, and Change during 135 Years

Thursday, 13 April 2006 - Session IV/A (Chair: Antonio Baldassarre, Hochschule für Musik und Theater, Zürich), Zadužbina Ilije M. Kolarca

• 16.00-17.30: Beat A. Föllmi, Université Marc Bloch, département de musique, Strasbourg: The Disruption and Transformation of the Collective Musical Memory Among the Urban Population During the Reformation: The Case of Strasbourg
  Elaine Kelly, School of Arts, Culture and Environment University of Edinburgh: Reshaping Cultural Memory: The Politicization of the Germanic musical canon in the German Democratic Republic
  Balázs Mikusi, Cornell University; Ithaca: An “Invented Tradition” for an “Imagined Community”: Secular Choral Singing in Nineteenth-Century Germany
• 17.30-18.00: coffee break
• 18.00-19.30: Irina Kotkina, European University Institute in Florence: Cultural Politics or Culture and Politics
  Karol Mullaney-Dignam, National University of Ireland of Maynooth, Co. Kildare: State, Nation and Music in Ireland: Forging a Musical Culture 1922-1932
  Ivana Stamatović, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: New Music in Belgrade in the Light of the Cycle “The Musical Moderne”: Radio Belgrade's Cultural Politics from the 1960's
• 19.30: Presentation of the book Muzika u renesansi/Music in Renaissance by Philippe Vendrix, Centre d'Études Supérieures de la Renaissance de l'Université de Tours, Tours, France, translated and published in Belgrade 2005

Thursday, 13 April 2006 - Session IV/B (Chair: Selena Rakočević, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd), Zadužbina Ilije M. Kolarca

• 16.00-17.30: Stephen Blum, The Graduate Center, CUNY, New York: Remembering Warriors in Song
  Ameneh Youssefzadeh, Paris: Singing the Martyrs: Revolutionary and Patriotic Songs in the Repertoire of Khorasani Bards
  Kofi J.S. Gbolonyo, University of Pittsburgh, US; Ghana: Want The History? Listen To The Music: Historical Evidence in Anlo Ewe Traditional Songs
• 17.30-18.00: coffee break
• 18.00-19.00: Zhanna Pärtlas, Estonian Academy of Music and Theatre, Tallinn: Some Interethnic Parallels in Setu Traditional Vocal Polyphony
  Marta Gajić, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Tracing the “Frozen” Memory
• 19.30: Presentation of the book Muzika u renesansi/Music in Renaissance by Philippe Vendrix, Centre d'Études Supérieures de la Renaissance de l'Université de Tours, Tours, France, translated and published in Belgrade 2005

Friday, 14 April 2006 - Session V/A (Chair: Thomas Aigner, Wiener Stadt- und Landesbibliothek, Musiksammlung, Vienna), Zadužbina Ilije M. Kolarca

• 10.00-11.30: Stephen Downes, University of Surrey, Guildford: Forgetful Music and Music for Amnesiacs: Wagner, Strauss, and Nietzsche's Dionysian Doubleness
  Philip Graydon, Department of Music, National University of Ireland, Maynooth, Kildare: "...[B]etween Moscow and New York ... ": Richard Strauss's Die ägyptische Helena (1927) in Cultural-Historical Context
  Milena Medić Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Elektra's Memory: From Hysteria to Cultural History
• 11.30-12.00: coffee break
• 12.00-13.00: Dragana Jeremić-Molnar, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Back to the Past - “Eternal Return” or the Road to Salvation? Richard Wagner's and Modest Musorgskij's Critique of Modern Civilization
  Jelena Novak, Radio-Beograd, Treći program, Beograd: Corporal Rememberance: Singing Body of Opera

Friday, 14 April 2006 - Session V/B (Chair: Mirjana Veselinović-Hofman, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd), Zadužbina Ilije M. Kolarca

• 10.00-11.30: Antonio Baldassarre, Hochschule Musik und Theater Zurich: Joseph Haydn's “Paris” String Quartet op. 54 and 55
  Žarko Cvejić, Cornell University, Ithaca: This Composer Who Is Not One: The On-Going Sexualisation of Chopin
  Dragana Stojanović-Novičić, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Iannis Xenakis (1922-2001) - “Why” and “What” in his “Late Years”
• 11.30-12.00: coffee break
• 12.00-13.00: Nadežda Mosusova, Srpska akademija nauka i umetnosti, Muzikološki institut, Beograd: The Cherubic Hymn of Stevan Mokranjac - Endless Melody, Enigmatic Harmony
  Melita Milin, Srpska akademija nauka i umetnosti, Muzikološki institut, Beograd: “Ancestral Memories” in the Works of Ljubica Marić

Friday, 14 April 2006 - Session VI/A (Chair: Tatjana Marković, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd), Zadužbina Ilije M. Kolarca

• 16.00-17.30: Thomas Aigner, Wiener Stadt- und Landesbibliothek, Musiksammlung, Vienna: Johann Strauss' "Serbian" Operetta Jabuka
  Gianluigi Mattietti, Università di Cagliari: Neurosis of the Contemporary Society in the Italian Music Theater of the Sixties: Luciano Berio, Aldo Clementi, Franco Evangelisti
  Katya Slutskaya Levine, The City University of New York, Graduate Center, New York: Schnitke's Opera Žizn' s idiotom: Marking out the Dead Zones of Russian Culture
• 17.30-18.00: coffee break
• 18.00-19.30: Ivana Vuksanović, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Vis comica: Musical Comedies in Serbia During the Sixties
  Jelena Janković, Jugokoncert, Beograd: Jazz opera as a Racial Manifesto
  Andreas Engström, Stockholms universitet, Institutionen för musik- och teatervetenskap, Stockholm: Instrumental Theatre - Traits, Discourse and Cultural Specifics

Friday, 14 April 2006 - Session VI/B (Chair: James Deaville, School of Art, Drama, and Music, McMaster University Hamilton, Ontario), Zadužbina Ilije M. Kolarca

• 16.00-17.00: Selena Rakočević, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: From Field to Text: The Mystery of veliko banatsko kolo
  Olivera Vasić, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Contemporary Celebration Party's Dance Characteristics
• 17.00-17.30: coffee break
• 17.30-18.30: Lynn Hooker, Indiana University: The Rural Past, the Urban Present, and the "Gypsy Question" in the Hungarian Folk Revival
  Nurit BenZvi, Jerusalem; Memory, Time, and Emotions in Cantillation