Veranstaltungen | Events - Part 74

posted by PP on 2006/02/13 10:01

[ Veranstaltungen | Events ]

The 8th International Symposium of the Department of Musicology and Ethnomusicology (Faculty of Music, University of Arts in Belgrade) will be dedicated towards
Musical culture and memory (Belgrade, April 11-14, 2006)
The preliminary program ist out now (and will soon be published on Kakanien revisited): ...

Tuesday, 11 April 2006, Fakultet muzičke umetnosti, Beograd

  • 12.00-15.30: Registration of participants
  • 15.30: Opening Ceremony
  • 16.00-17.30 (Chair: Vesna Mikić, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd): Mirjana Veselinović-Hofman, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Musicology and Cultural Studies
    James Deaville, School of Art, Drama, and Music, McMaster University Hamilton, Ontario; Hon-Lun Yang, Hong Kong Baptist University; Michael Saffle, Virginia Tech, Blacksburg, Virginia: Sites, Scores, and Screens: (Mis)Remembering National Musical Cultures [Panel!]
  • 17.30-17.45: break
  • 17.45-18.45: Cornelia Szábo-Knotik, Institut für Analyse, Theorie und Geschichte der Musik der Universität für Musik Wien, Vienna: "The National" in Germanophone Musicology
    Tatjana Marković, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: From Cultural Memory to Multiplying National Identities
  • 19.00: Concert: Serbian traditional vocal and dance music
  • 19.30: Cocktail


Wednesday, 12 April 2006 - Session I/A (Chair: Miško Šuvaković, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd), Zadužbina Ilije M. Kolarca

  • 10.00-11.30: Antoni Pizà, Foundation for Iberian Music, The Graduate Center, CUNY, New York: Songs of Themselves: The Tradition of Autobiography in Music or Why Do Composers Write about Themselves?
    David L. Mosley, University of Louisville: Music in Service of Life: Friedrich Nietzsche's Cultural Acoustics
    Tijana Popović-Mlađenović, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Music “Language Games“ in the Space of Cultural Memory
  • 11.30-12.00: coffee break
  • 12.00-13.00: Kleman Fele, Ljubljana: Music as a Metaphor for the Stream of Consciousness
    Boštjan Narat, Univerza u Ljubljani, Filozofska fakulteta, Ljubljana: Music as a Philosophical Term: Between Semiotics and Hermeneutics

Wednesday, 12 April 2006 - Session I/B (Chair: Cornelia Szábo-Knotik, Institut für Analyse, Theorie und Geschichte der Musik der Universität für Musik Wien), Zadužbina Ilije M. Kolarca

  • 10.00-11.30: Richard Elliott, International Centre for Music Studies, University of Newcastle upon Tyne: Searching for Blue Unicorns: Popular Music and the Persistence of Memory in Postdictatorial Chile
    Marta R. Norese, Professional School of Music of Astorga: Lunafardo and Tango in the Search for Argentinian Identity
    Vesna Mikić, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: The Way We (Me, Myself, and I) Were: Recycling Serbian/Yugoslav Identities in Recent Popular Music
  • 11.30-12.00: coffee break
  • 12.00-13.00: Emanuele D'Onofrio, University of Manchester: Film Music as lieu de memoire of National Identity: The Case of the Contemporary Italian Cinema
    Snježana Dobrota, Filozofski fakultet, Sveučilište u Splitu: Socio-cultural Significance of Popular Music

Wednesday, 12 April 2006 - Session II/A (Chair: Michael Saffle, Virginia Tech, Blacksburg, Virginia), Zadužbina Ilije M. Kolarca

  • 16.00-17.30: Leon Stefanija, Univerza v Ljubljani, Filozofska fakulteta, Ljubljana: Globalizing Musical Identities: Remarks on Semiotics of Music
    Marija Masnikosa, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Post-Minimal Music: Memories of the Referent
    Ivana Medić, Radio-Beograd, Treći program, Beograd: In Search For The Material Traces Of Music
  • 17.30-18.00: coffee break
  • 18.00-19.00: Barbara Boisits, Kommission für Musikforschung der Österreichischen Akademie der Wissenschaften, Vienna: Music as Monument. The Denkmäler der Tonkunst in Österreich - A Patriotic Activity
    Mickey Vallee, Interdisciplinary Studies, University of Alberta: The Body Moves in Pieces: A Critical Reevaluation of Music and Nostalgia
    Nevena Daković, Univerzitet umetnosti, Fakultet dramskih umetnosti, Beograd: The Sound of Nostalgia
  • 20.00: Dinner

Wednesday, 12 April 2006 - Session II/B (Chair: Dragana Stojanović-Novičić, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd), Zadužbina Ilije M. Kolarca

  • 16.00-17.30: Roksanda Pejović, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Music and its Function in Society
    Ivana Perković Radak, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Musical Culture or/and Lost Memories. Serbian students at Conservatory of Gesellschaft der Musikfreunde in Vienna
    Haiganus Preda-Schimek, Vienna: Austrian Composers and the Europeanization of Romanian Music Between 1800 and 1859
  • 17.30-18.00: coffee break
  • 18.00-19.00: Sonja Marinković, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Ideology of National Historiography
    Anica Sabo, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: A Contemporary Reading of Original Principles of the Study of Musical Forms
  • 20.00: Dinner

Thursday, 13 April 2006 - Session III/A (Chair: Philippe Vendrix, Centre d'Études Supérieures de la Renaissance de l'Université de Tours), Zadužbina Ilije M. Kolarca

  • 10.00-11.30: Bianca Robichaud, Conservatoire de Musique Francis Poulenc, Paris: French Classicism: Myth or Reality?
    Miško Šuvaković, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Remembering Music: Critical Questions on New, Historicism and History of Music
    Amy Lynn Wlodarski, Dickinson College: National Identity After National Socialism: “Jüdische Chronik” and East German Cultural Memory
  • 11.30-12.00: coffee break
  • 12.00-13.00: Danijela Kulezic-Wilson, Co.Leitrim: Ideology as a Filter for Memory: The “Imperialism” of Music, Transcedence, and Stylistic Labelling
    Ksenija Stevanović, Radio-Beograd, Treći program, Beograd: The Architecture of (Sonic) Memory in Sokurov's Films

Thursday, 13 April 2006 - Session III/B (Chair: Stephen Blum, The Graduate Center, CUNY, New York), Zadužbina Ilije M. Kolarca

  • 10.00-11.30: Birgit Abels, Ruhr University Bochum: Encoded Past: On Redefining and Recontextualizing Musical Tradition
    Panayiotis Demopoulos, University of York: The Delusional State of Global Folklore
    Jelena Jovanović, Srpska akademija nauka i umetnosti, Muzikološki institut, Beograd: Searching the Right Form: From a Song “na bas” to “traveler's” Playing: Recalling Performance of dvojnice Player Miladin Arsenijević
  • 11.30-12.00: coffee break
  • 12.00-13.30: F. Merve Eken, Istanbul Technical University, Turkish Music State Conservatory: Tradition, Society, And Change: ‘Fasıl' in Turkish Music
    Berna Özbilen, Istanbul Technical University, Turkish Music State Conservatory,: The Evaluation of First Ottoman-Turkish Popular Music Kanto, Its Development Process, and Change during 135 Years


Thursday, 13 April 2006 - Session IV/A (Chair: Antonio Baldassarre, Hochschule für Musik und Theater, Zürich), Zadužbina Ilije M. Kolarca

  • 16.00-17.30: Beat A. Föllmi, Université Marc Bloch, département de musique, Strasbourg: The Disruption and Transformation of the Collective Musical Memory Among the Urban Population During the Reformation: The Case of Strasbourg
    Elaine Kelly, School of Arts, Culture and Environment University of Edinburgh: Reshaping Cultural Memory: The Politicization of the Germanic musical canon in the German Democratic Republic
    Balázs Mikusi, Cornell University; Ithaca: An “Invented Tradition” for an “Imagined Community”: Secular Choral Singing in Nineteenth-Century Germany
  • 17.30-18.00: coffee break
  • 18.00-19.30: Irina Kotkina, European University Institute in Florence: Cultural Politics or Culture and Politics
    Karol Mullaney-Dignam, National University of Ireland of Maynooth, Co. Kildare: State, Nation and Music in Ireland: Forging a Musical Culture 1922-1932
    Ivana Stamatović, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: New Music in Belgrade in the Light of the Cycle “The Musical Moderne”: Radio Belgrade's Cultural Politics from the 1960's
  • 19.30: Presentation of the book Muzika u renesansi/Music in Renaissance by Philippe Vendrix, Centre d'Études Supérieures de la Renaissance de l'Université de Tours, Tours, France, translated and published in Belgrade 2005

Thursday, 13 April 2006 - Session IV/B (Chair: Selena Rakočević, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd), Zadužbina Ilije M. Kolarca

  • 16.00-17.30: Stephen Blum, The Graduate Center, CUNY, New York: Remembering Warriors in Song
    Ameneh Youssefzadeh, Paris: Singing the Martyrs: Revolutionary and Patriotic Songs in the Repertoire of Khorasani Bards
    Kofi J.S. Gbolonyo, University of Pittsburgh, US; Ghana: Want The History? Listen To The Music: Historical Evidence in Anlo Ewe Traditional Songs
  • 17.30-18.00: coffee break
  • 18.00-19.00: Zhanna Pärtlas, Estonian Academy of Music and Theatre, Tallinn: Some Interethnic Parallels in Setu Traditional Vocal Polyphony
    Marta Gajić, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Tracing the “Frozen” Memory
  • 19.30: Presentation of the book Muzika u renesansi/Music in Renaissance by Philippe Vendrix, Centre d'Études Supérieures de la Renaissance de l'Université de Tours, Tours, France, translated and published in Belgrade 2005

Friday, 14 April 2006 - Session V/A (Chair: Thomas Aigner, Wiener Stadt- und Landesbibliothek, Musiksammlung, Vienna), Zadužbina Ilije M. Kolarca

  • 10.00-11.30: Stephen Downes, University of Surrey, Guildford: Forgetful Music and Music for Amnesiacs: Wagner, Strauss, and Nietzsche's Dionysian Doubleness
    Philip Graydon, Department of Music, National University of Ireland, Maynooth, Kildare: "...[B]etween Moscow and New York ... ": Richard Strauss's Die ägyptische Helena (1927) in Cultural-Historical Context
    Milena Medić Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Elektra's Memory: From Hysteria to Cultural History
  • 11.30-12.00: coffee break
  • 12.00-13.00: Dragana Jeremić-Molnar, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Back to the Past - “Eternal Return” or the Road to Salvation? Richard Wagner's and Modest Musorgskij's Critique of Modern Civilization
    Jelena Novak, Radio-Beograd, Treći program, Beograd: Corporal Rememberance: Singing Body of Opera

Friday, 14 April 2006 - Session V/B (Chair: Mirjana Veselinović-Hofman, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd), Zadužbina Ilije M. Kolarca

  • 10.00-11.30: Antonio Baldassarre, Hochschule Musik und Theater Zurich: Joseph Haydn's “Paris” String Quartet op. 54 and 55
    Žarko Cvejić, Cornell University, Ithaca: This Composer Who Is Not One: The On-Going Sexualisation of Chopin
    Dragana Stojanović-Novičić, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Iannis Xenakis (1922-2001) - “Why” and “What” in his “Late Years”
  • 11.30-12.00: coffee break
  • 12.00-13.00: Nadežda Mosusova, Srpska akademija nauka i umetnosti, Muzikološki institut, Beograd: The Cherubic Hymn of Stevan Mokranjac - Endless Melody, Enigmatic Harmony
    Melita Milin, Srpska akademija nauka i umetnosti, Muzikološki institut, Beograd: “Ancestral Memories” in the Works of Ljubica Marić


Friday, 14 April 2006 - Session VI/A (Chair: Tatjana Marković, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd), Zadužbina Ilije M. Kolarca

  • 16.00-17.30: Thomas Aigner, Wiener Stadt- und Landesbibliothek, Musiksammlung, Vienna: Johann Strauss' "Serbian" Operetta Jabuka
    Gianluigi Mattietti, Università di Cagliari: Neurosis of the Contemporary Society in the Italian Music Theater of the Sixties: Luciano Berio, Aldo Clementi, Franco Evangelisti
    Katya Slutskaya Levine, The City University of New York, Graduate Center, New York: Schnitke's Opera Žizn' s idiotom: Marking out the Dead Zones of Russian Culture
  • 17.30-18.00: coffee break
  • 18.00-19.30: Ivana Vuksanović, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Vis comica: Musical Comedies in Serbia During the Sixties
    Jelena Janković, Jugokoncert, Beograd: Jazz opera as a Racial Manifesto
    Andreas Engström, Stockholms universitet, Institutionen för musik- och teatervetenskap, Stockholm: Instrumental Theatre - Traits, Discourse and Cultural Specifics

Friday, 14 April 2006 - Session VI/B (Chair: James Deaville, School of Art, Drama, and Music, McMaster University Hamilton, Ontario), Zadužbina Ilije M. Kolarca

  • 16.00-17.00: Selena Rakočević, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: From Field to Text: The Mystery of veliko banatsko kolo
    Olivera Vasić, Univerzitet umetnosti, Fakultet muzičke umetnosti, Beograd: Contemporary Celebration Party's Dance Characteristics
  • 17.00-17.30: coffee break
  • 17.30-18.30: Lynn Hooker, Indiana University: The Rural Past, the Urban Present, and the "Gypsy Question" in the Hungarian Folk Revival
    Nurit BenZvi, Jerusalem; Memory, Time, and Emotions in Cantillation


Antworten

Senior Editor

Seitenwechsel. Geschichten vom Fußball. Hgg. v. Samo Kobenter u. Peter Plener. Wien: Bohmann 2008, 237 pp.
(Weitere Informationen hier)
Transcarpathica. Germanistisches Jahrbuch Rumänien 3-4/2004-2005. Hgg. v. Andrei Corbea-Hoisie u. Alexander Rubel. Bukarest/Bucuresti: Editura Paideia 2008, 336 pp.
[Die online-Fassung meines Einleitungsbeitrags "Thesen zur Bedeutung der Medien für Erinnerungen und Kulturen in Mitteleuropa" findet sich auf Kakanien revisited (Abstract / .pdf).]
Seitenweise. Was das Buch ist. Hgg. v. Thomas Eder, Samo Kobenter u. Peter Plener. Wien: Bundespressedienst 2010, 480 pp.
(Weitere Informationen hier wie da, v.a. auch do. - und die Rezension von Ursula Reber findet sich hier [.pdf].)
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